CHONG Ngo Shan, Amy’s practice centers on performance art, employing a performalist self-portrait approach that uses her own body as a medium to deeply investigate local culture, society, and gender dynamics. Through a multidisciplinary use of installation, photography, and mixed media, her work explores the fraught tension between individual identity and social structures. By presenting raw, direct, and vulnerable moments, Amy’s art uncovers the intricate and nuanced relationships between the self and its environment, inviting viewers to engage thoughtfully with the complexities of identity and societal frameworks.
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